The Hollow Men :: Hollow Men Essays

The Hollow Men   Thomas Stearns Eliot was born in St. Louis, moment of New England descent, on Sept. 26, 1888.  He entered Harvard University in 1906, completed his courses in three courses and earned a masters degree the next year.  After a year at the Sorbonne in Paris, he returned to Harvard.  Further study led him to Merton College, Oxford, and he decided to stay in England. He worked first as a instructor and then in Lloyds Bank until 1925.  Then he joined the London publishing firm of Faber and Gwyer, becoming director when the firm became Faber and Faber in 1929.  Eliot won the Nobel moolah for literature in 1948 and other major literary awards.             Eliot saw an exhausted poetic mode being employed, that contained no verbal excitement or overlord craftsmanship, by the Georgian poets who were active when he settled in London.  He sought to make poetry more subtle, more suggestive, and at the r esembling beat more precise.  He learned the necessity of clear and precise images, and he learned too, to fear romantic softness and to regard the poetic medium preferably than the poets personality as the important factor.  Eliot saw in the French symbolists how image could be both absolutely precise in what it referred to physically and at the same time endlessly suggestive in the meanings it set up because of its relationship to other images.  Eliots real novelty was his deliberate elimination of all merely junction and transitional passages, his building up of the total pattern of meaning through the immediate comparison of images without overt explanation of what they are doing, together with his use of substantiating references to other works of literature (some at times quite obscure).             Eliot starts his poem The Hollow Men with a quote from Joseph Conrads novel the Heart of Darkness.  The line Mistah Kurtz-he all of a sudden refers to a Mr. Kurtz who was a European trader who had g nonpareil in the the heart of darkness by traveling into the central African jungle, with European standards of life and conduct.  Because he has no moral or spiritual strength to sustain him, he was soon turned into a barbarian.  He differs, however, from Eliots hollow men as he is not paralyzed as they are , but on his death catches a glimpse of the nature of his actions when he claims The horror the Horror  Kurtz is thus one of the lost /Violent souls mentioned in lines 15-16.